He’s publishing a blog (for which I’m acting as webmaster, for my sins), that tells the story of his life. It’s worth reading.

One of his most interesting speculative projects was the “biomorphic biosphere”—an organic megastructure that he developed some years ago. These ideas are beginning to re-emerge as architects and planners consider more vertically-oriented approaches to city design.

The blog is at www.smallatlarge.com (great URL, no?).

Glen's Bionic Biosphere

My last major design studio is now complete: here’s a picture of my project. It’s an experiential art center: art studios, residential and office space, and a theater that seats 1,000 people.

The next step is my thesis: an opera house for the 21st century. In this project I’ll be trying to understand how best to create a new audience for opera, in an environment where fewer and fewer young people are attending. The output will not only be a building design, but also a theory as to how architecture can contribute to the long-term success of opera.

I wrote a play some years ago, exploring the relationships and perspectives of three very different people, caught in wartime Afghanistan. At an early stage, my friend Michael Sanie expressed interest in writing an opera based on the play, and after several years of delays and struggles, here it is.

The opera is in three acts, each providing a platform for one of the characters. There is also a fourth character: an Afghan boy. It seems to me that we rarely hear the perspective of the people over whose lands we fight.

You can get your copy here.

It’s been a busy few months in the publishing business: I’ve co-written a technical book with the founder of Runtime Design Automation, Andrea Casotto. This book explains the key issues associated with managing complex sequences of programs, required for software and semiconductor development (among other disciplines).

Modern computational environments require hundreds or thousands of machines, many software licenses, and the ability to schedule jobs in the correct order across all the available resources. The goal is to complete the required tasks, and only the required tasks, in the most cost-effective manner possible.

This book illustrates and compares three approaches: scripting, makefiles, and Runtime Design Automation’s FlowTracer product.

You can buy the book here.

Finally, the book is published! You can get a copy by clicking here, or on the cover image.

It’s published at lulu.com, which offers print-on-demand services.

You can also get an electronic copy here.

The next step is to get the book into Barnes and Noble and the Amazon bookstore: hopefully you’ll soon be able to order it from there as well.

If you haven’t read it yet, Ollie’s New Beginning is the story of a young boy and his dragon. It explores the challenges of separation and independence in a story that makes great bedtime reading for a young child.

I wrote it with Jeremy’s help: he and I roughed out the story together, and he took a deep interest in the development of the story as it came together.

Now if you  buy a copy,  I can share the royalties with Jeremy!

One of the challenges faced by changing businesses is the need for an upgraded executive team, capable of quickly coming up to speed and delivering a real impact early. Hiring executives is a slow process at the best of times, and there is no guarantee that they will all arrive at the same time, or that they will work well together.

Our approach is to assemble a team of experienced executives, with CEO, strategy, operations, finance, marketing and international business skills. The impact of this is that the new team can get things done from the first day.

Visit our website to learn more.

This site on Squidoo is dedicated to thinking about this issue—it also links to other business-related resources:

http://www.squidoo.com/marketingwithintegrity

Squidoo is interesting: it’s like a huge forest of bulletin boards, in which anyone can create a topic and host a discussion.

We had a great time staying with various members of our family in SA—Ralph’s apartment in Cape Town, Caroline and Peter’s holiday home in Onrus River, and Rob and Angela at Watermead. Here are a couple of photo galleries showing our trip to Cape Town and to the farm.

Here’s another gallery: this one is of our visit to Robben Island, the prison / leper colony where Nelson Mandela and many others were imprisoned. The tour is well worth the trouble: the trip through the prison was narrated by a man who was imprisoned there. His commentary was quite understated and matter-of-fact, but compelling and vivid.

The boys had a great time on the farm getting to know their cousins Claire and Emma, picking raspberries, swimming, sailing and playing a variety of board and card games.

Rob’s dairy is amazing—a rotary affair that goes around once every six minutes, and milks over 700 Jersey cows in a couple of hours. I don’t envy him the schedule: up at 0430 every morning, rain or shine!

Digital morphology is the study of form using computer tools. We did a project last semester to explore the creation of new forms that might have architectural uses, with Autodesk’s 3dsMax software as the basic tool.

My exploration started with the way sails move in a wind field as boats tack into the wind. The movement of the sails was the starting point, and then we looked at ways of perturbing the surface, based on the characteristics of parts of the surface. I think this is still an early exploration, but I learned enough that with a suitable project I think I could use these tools to create something interesting and relevant.

The school is a bit unusual in that all the academic staff are practicing professionals. This give the school a very down-to-earth flavour, although there is still room for theory. It’s interesting and fairly challenging from a time perspective. So far it’s a lot of fun.

I’m taking three classes: a design studio, a theory class looking at what architecture is and how architects work, and a class called “Computer Generated Morphology” that looks at using examples from nature, coded in a 3-D modelling environment, to generate architectural forms. These kinds of ideas are behind some of the things we’ve seen recently, for example the Beijing athletic stadium (the bird’s nest) and the Beijing Aquatic Center (the water cube). Both of these buildings used computer models to generate the actual structure of the buildings. 

As time goes by, I’m hoping to post a bit about the classes and what I’m learning, but time is short with this schedule!